Intrinsically, the mark of the hand and the mark of the process are important aspects of Sataman’s work. She avoids the overt use of modern technology and exposes elemental processes of printmaking and sculpture in her work. The personal, tangible, and imperfect nature of these processes is a palpable expression of time, place and human ingenuity. Her imagery and artifacts revolve around the emotional and human aspects of our cultural ecology – how we adapt to social and environmental factors in order to survive and prosper.